Music and Commercial Environment Aesthetics: Controlling the Uncontrollable
This first paper introduces the session theme by generating a critique of the ‘environmental aesthetics’ literature. Acknowledging Holbrook and Huber (1979), it shows how this literature generates formulaic claims about how the instrument ‘music’ can be used to manipulate consumer response in the constructed space of commercial environments. It critically evaluates those claims and outlines the contribution of interpretive research into the emotional character of the experience of music. It claims that the intrinsic subjectivity and autobiographical complexity of collective consumer experience undermines studies that regard music as an environmental stimulus, a functional servant capable of eliciting predictable responses in individual consumers. Through the inventive activity of performance, we illustrate those limitations and point to the work of musical aesthetics in constructing performance space.
Steve Oakes (2011) ,"Music and Commercial Environment Aesthetics: Controlling the Uncontrollable", in E - European Advances in Consumer Research Volume 9, eds. Alan Bradshaw, Chris Hackley, and Pauline Maclaran, Duluth, MN : Association for Consumer Research, Pages: 82-83.
Steve Oakes, University of Liverpool Management School, UK
E - European Advances in Consumer Research Volume 9 | 2011
When Humans Consume Humanlike Animals: Anthropomorphism, Power, and Cruelty-free Consumption
Ji Myoung Danny Kim, University at Buffalo
Sunyee Yoon, University at Buffalo
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Rhonda Hadi, Oxford University, UK
Dan Rubin, St. John’s University
Diogo Hildebrand, Baruch College, USA
Thomas Kramer, University of California Riverside, USA
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yuanqiong He, Huazhong University of Science and Technology, China
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